*Opening Worldwide and Here at The Roxy Theatres on Friday, October 23rd!*

Certified Fresh 100% and Popcorn Fresh 98% on RottenTomatoes.com

TOP CRITIC, Robbie Collin – “Wildwood goes even further: here it feels as if the toys have built their own secret kingdom, full of eeriness and wonder, into which mere mortals — Prue and Curtis, but also us in the audience — have been momentarily allowed to trespass.”

TOP CRITIC, Peter Bradshaw – “It’s a forthright, exuberant, good-natured and old-fashioned children’s tale which CS Lewis and JRR Tolkien might have recognised.”

TOP CRITIC, Frank Scheck – “Laika’s most ambitious effort to date, Wildwood may also be the company’s masterpiece.”

TOP CRITIC, William Bibbiani – “It’s impressive to watch Travis Knight’s film even if you don’t know how the sausage got made. If you do know, if you even have the slightest inkling, then it’s one of the most astonishing animated films ever produced.”

After her baby brother is abducted by a murder of crows, headstrong teenager Prue McKeel launches a desperate rescue mission into the Impassable Wilderness—an enchanted forest hidden just beyond Portland, Oregon. Joined by her hapless, but loyal classmate Curtis Mehlberg, Prue navigates a world of talking animals, bandits, and powerful figures driven by grief and ambition. As the pair is drawn into a conflict threatening the balance of the forest itself, Prue must discover strength and belief she never knew she possessed. If she hopes to save her brother and protect Wildwood’s fragile future, she will have to risk everything. From Oscar®-nominated and BAFTA®-winning LAIKA, Wildwood is a sweeping adventure about love, sacrifice, and the magic that reveals itself when we dare to look beyond the familiar.

*Certified Fresh and Popcorn Fresh 88% on RottenTomatoes.com*

TOP CRITIC, Wendy Ide – “The humour, like the mossy tones and wintry light of this version, is more muted than that of Lee’s film, but Marianne delivers many of the most satisfying lines.”

TOP CRITIC, Derek Smith – “What makes the film a fresh, if not altogether revelatory, take on the material is the intimacy and sincerity with which it presents Elinor and Marianne’s parallel journeys.”

TOP CRITIC, Anna Stafford – “The bond between the two elder Dashwoods proves the film’s real love story, a tender, tumultuous sisterhood that both actors clearly treat as the main event.”

TOP CRITIC, William Bibbiani – “Georgia Oakley’s adaptation of Jane Austen’s timeless, beloved 1811 novel is enchanting and beautiful, just as it should be. It’s also, in its earthy and humorous way, intensely riveting, which is also as it should be.”

Sisters Elinor (Daisy Edgar-Jones) and Marianne Dashwood (Esme Creed-Miles) must leave their Sussex estate and move in with a distant relative, facing romance and money troubles.

Based on the novel by Jane Austen.